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Herodotus "Histories" should be learn in lots of methods. Their literary features, by no means in dispute, could be extra absolutely preferred within the mild of contemporary advancements within the learn of pragmatics, narratology, and orality. Their highbrow prestige has been substantially reassessed: now not considered as naive and archaic, the "Histories" are actually obvious as a great deal a made of the highbrow weather in their personal day - not just topic to modern literary, non secular, ethical and social affects, yet actively contributing to the good debates in their time. Their reliability as historic and ethnographic debts, a question of controversy even in antiquity, is being debated with renewed energy and lengthening sophistication. This "Companion" bargains an up to date and in-depth review of a majority of these present methods to Herodotus outstanding work."

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A couple of generations later, Dionysius of Halicarnassus, as though paraphrasing the inscription, wrote that Herodotus produced pezen phrasin 'pedes­ trian speech5 that resembled 'the strongest (kratiste) poetry' (On Thucydides chap. 23; 6. 865). different historic critics appear to have agreed 1 Cf. Isagers editio prmceps (1999), with additional observation by means of Lloyd Jones (1999). ninety eight DEBORAH BOEDEKER with Dionysius. The first-century CE writer of at the chic referred to as Herodotus (along with Stesichorus, Archilochus, and Plato) komerikdtatos 'most Homeric'. 2 within the past due moment century CE, the rhetori­ cian Hcrmogenes of Tarsus wrote that Herodotus 'uses every kind of legendary innovations and poetic diction all through' (kai gar tais ennoiais muthikais skhedon hapasais kai lei lexei poietikei kekhretai difiolou: identification. 408 Rade). sleek critics too haven't did not locate huge- and smallscale reflections of Homeric epic within the Histories* Aristotle, despite the fact that, writing a century prior to the Halicarnassus inscription, emphasised the diversities among epic and historiog­ raphy. He maintained that Herodotus' paintings, with its specialise in the actual (what really occurred) instead of the overall (what may plausibly happen), might nonetheless be heritage and never poetry— which Aristotle thought of a extra 'philosophical' genre—even if the Histories have been placed into verse (Poetics nine, 1451a~b). four Aristotle additionally asserted that Herodotean heritage lacks the type of natural team spirit that char­ acterizes poetry (Poetics 23, 1459a). for instance, whilst Herodotus experiences that the battles of Himera in Sicily and Salamis close to Athens have been fought at the similar day (7. 166), Aristotle announces that the 2 victories have only a chronological connection within the Histories, for they don't percentage a unmarried target (telos). Aristotle's feedback has itself been referred to as into question,5 but in actual fact the strains have lengthy been drawn among refined readers of Herodotus who view him as a 'poetic' historian, and those that emphasize the gulf among heritage and poetry. (> a glance at convergences and divergences in a couple of salient components may also help us examine either one of those views. at the broadest point, the parallels arc very major. The Histories stocks either the W s specialise in an outstanding warfare fought through a coalition of Hellenes and the Odyssey's curiosity in remote places and international cus- 1 (Longinus) Subl. thirteen. three. Cf different historical resources on Herodotus arid Homer, esp. Strabo I, p. 18; Lucian De hist, cotiscr. 14; extra commonly, Quintilian 10. 1. 27 and 10. 1. 31: historia est proximo, poelis et quodammodo carmen solutum. three See e. g. , Asheri (1988) lx- Ixi for a concise checklist oF resemblances; additionally Stambler (1982) 210-12, Huxley (1989), and Hcrington (1991b). four Brillante (1990) 104-5, even though, issues out that fable is usually concerned about details. five For a critique of Aristotle's place, cf. Gomme (1954) 73-6. arguing that Herodotus 'regularly forsakes the chronological for a logical order' and is thereby 'the "poet" of his plot*. For Herodotus and tragedy, see Ch.

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